Interview: Marta Vella on Blanket Ban, ‘It isn’t only a piece of theatre’
Following its hit run at Edinburgh Festival Fringe last year, theatre makers and activists Davinia Hamilton and Marta Vella bring…
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Interview: Jack Fairey on The Sun, the Mountain, and Me, ‘Full of colour and excitement and storytelling’
Michael Ayiotis during The Sun, the Mountain, and Me’s Union Theatre run. Photo: Alex Harvey-Brown The Sun, the Mountain, and…
Interview: Mercè Ribot and Patricia Rodriguez on touring Nothing Happens (Twice)
Acclaimed multilingual physical theatre company Little Soldier Productions are combining slapstick humour with absurdist Beckett as they quest for the…
Interview: Laura Waldren, ‘It felt incredibly legitimising’
Pentabus recently announced two new writers in residence, Henry Maddicott and Lauren Waldren. In a two-part feature we hear from…
Interview: Chioma Uma on Brief Encounter, ‘Each character’s essence is woven into the music that we play’
by Jim Keaveney. It’s the story many of us are familiar with, even if we haven’t seen the classic film; a…
In Profile: James Norton
As James Norton gears up to take the stage in Ivo van Hove’s production of Hanya Yanagihara’s hit novel A Little…
Interview: Gail Louw on The Only White, ‘A true retelling of a man’s need to do something big’
Gail Louw’s new play The Only White, which opens for previews at Chelsea on 4 April, is a hard-hitting…
Interview: Henry Maddicott, ‘I fell in love with writing poetry which led to playwriting’
by Jim Keaveney. Pentabus recently announced two new writers in residence, Henry Maddicott and Lauren Waldren. In a two-part feature we…
Interview: Demi Anter on poetry, “It’s just such a powerful feeling”
by Jim Keaveney. I’m talking with poet Demi Anter, who released her debut poetry collection Small Machine last year, over Zoom….
Interview: Velenzia Spearpoint and Rebecca Pryle on Follow the Lines
by Jim Keaveney. Promotional image for Follow the Lines by Dylan Woodley Follow The Lines, opening next week at The Bread…