Charlotte May review – Glastonbury Festival 2025
Charlotte May is adding a little bit of glamour to Crooners Corner on the opening day of Glastonbury Festival, dressed…
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Dom Joly review – Glastonbury Festival 2025
Dom Joly – The Astrolabe Theatre, Glastonbury Festival 2025 Dom Joly’s performance opening the Astrolabe Theatre is essentially an extension…
Mama Tokus review – Glastonbury Festival 2025
‘Avoid eye contact and do jazz clicking instead,’ Mama Tokus suggests to passersby as they file past heading from Bella’s…
Sean Gandini on Heka / MimeLondon 2025
Gandini Juggling is an ever-evolving ensemble made up of a virtuosic core group of jugglers, they regularly expand to include…
Julie Tenret, Sicaire Durieux and Sandrine Heyraud on Dimanche / MimeLondon 2025
MimeLondon’s 2025 programme concludes with the London premiere of Dimanche by Belgian companies Focus & Chaliwaté at Sadler’s Wells Peacock…
Matteo Frau and Mina Trapp on Five Lines / MimeLondon 2025
Led by Matteo Frau and Mina Trapp, Frau Trapp brings their show Five Lines to this year’s MimeLondon festival in…
Yngvild Aspeli on Moby Dick / MimeLondon 2025
Yngvild Aspeli directs this stage adaptation of Herman Melville’s great novel about ambition, obsession and the power of nature, featuring…
James Riordan and Raymond Keane on Not a Word / MimeLondon 2025
Celebrating those who ‘took the boat’, a forgotten class of Irish emigrants who helped build countries that were not their…
Estelle Charlier and Martin Kaspar Orkestar on La Manékine / MimeLondon 2025
Created by Estelle Charlier and Romuald Collinet in 2003, La Pendue create distinctive puppetry performances that tackle complex narratives. Based…
All Points East review: Death Cab for Cutie, The Postal Service & more
We report from All Points East festival in Victoria Park, London on Sunday 25 August Yo La Tengo (★★★★☆), famed…