
Krapp’s Last Tape – York Theatre Royal ★★★☆☆
You could view Krapp’s Last Tape as a star vehicle for the serious actor. At just 50 minutes long and…
You could view Krapp’s Last Tape as a star vehicle for the serious actor. At just 50 minutes long and…
Until now Robert Icke’s output has largely been focused on updating classics for modern times — with great success, it…
Review by Mark Quinn Our New Girl begins with a truly shocking image in the dark (that, of course, I won’t…
Lora Krasteva’s Descension kicks off a series of works on the new interactive digital theatre platform FableMosh, developed by Nottingham-based…
Omar Elerian returns to the Almeida and to Eugène Ionesco, translating and directing Rhinocerous following his success with The Chairs…
How many adaptations of George Orwell’s Animal Farm do you need? Last year saw Ian Wooldridge’s version tour Bolton, Hull…
Kim’s Convenience has enjoyed a longer life than may have been predicted for it. Starting out at Toronto Fringe in…
‘It’s a great time for nasty men…’ Mike Rice says in the opening segment of his hour-long comedy special, recorded…
Modern readers have been increasingly less forgiving of the sexist and racist slurs that reflect the period in the classic…
Review by Katie Shaw One Day When We Were Young is a brilliant play in three parts about love, loss, hope…