Manhunt review – Royal Court Theatre, London ★★☆☆☆
Until now Robert Icke’s output has largely been focused on updating classics for modern times — with great success, it…
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Our New Girl review – Lyric Theatre, Belfast ★★★★☆
Review by Mark Quinn Our New Girl begins with a truly shocking image in the dark (that, of course, I won’t…
Katharine Farmer on Heisenberg
Directed by Arcola Theatre Artistic Associate Katharine Farmer, a new female-led production of Simon Stephens’ Heisenberg is offering fresh insights…
Descension review – FableMosh (Digital Release) ★★☆☆☆
Lora Krasteva’s Descension kicks off a series of works on the new interactive digital theatre platform FableMosh, developed by Nottingham-based…
Naomi Denny on All The Happy Things
All The Happy Things is the debut full-length play by playwright and actor Naomi Denny. A dark comedy about the…
Rhinoceros – Almeida Theatre, London ★★★★☆
Omar Elerian returns to the Almeida and to Eugène Ionesco, translating and directing Rhinocerous following his success with The Chairs…
Lizzy Skrzypiec on Murder, She Didn’t Write
The improvised whodunit and Edinburgh Festival Fringe regular, Murder, She Didn’t Write, is currently making its way around the country…
Peta Maurice on The Detective Dog
A stage adaptation of Julia Donaldson and Sara Ogilvie’s best-selling children’s book The Detective Dog has set off on tour…
Eimhin Fitzgerald Doherty on The Brightening Air
Eimhin Fitzgerald Doherty has quickly made an impression in the theatre world making his professional stage debut playing the role…
Animal Farm review – Leeds Playhouse ★★★★☆
How many adaptations of George Orwell’s Animal Farm do you need? Last year saw Ian Wooldridge’s version tour Bolton, Hull…