Stella Powell-Jones has something of an affinity with Jermyn Street theatre, serving as the theatre’s Deputy Director from 2017 to 2019 before coming back to the theatre as Artistic Director in 2022. Her productions at the theatre have included Caryl Churchill’s Owners and Sarah Ruhl’s adaptation of Virginia Woolf Orlando.
She’s back with another Ruhl work – this time based on the Greek legend of Eurydice. We caught up with Powell-Jones to find out more about the play.
Q&A with Stella Powell-Jones
What can you tell us about your production of Eurydice?
Ooh it’s a wild ride through the adventures of love and death.
What was it that drew you to Sarah Ruhl’s adaptation?
In the classical myth – at least the versions handed down to us – this is a very much a story about one hero’s quest. Orpheus can only go into the Underwotld because he plays music more beautifully than anyone ever has. Sarah Ruhl’s adaptation,unleashes Eurydice’s own adventure. What results is this vast, exquisite, epic, human, love-bursting, topsy-turvy, funny, sad story that has room for us all.
The myth of Eurydice and Orpheus myth has continued to attract attention – what is it about the story that makes it timeless?
I think the pull of being able to reach beyond death will always have us in this story’s grip… Falling in love, death: two of the most shared experiences but something that when it happens to us – it will always be the first time.
How does it feel to be back at Jermyn Street Theatre as Artistic Director?
I’ve now been Artistic Director for two years and it’s such a treat to make a show for a space you know really well. Something I find incredibly moving is how my extraordinary colleagues treat me with all the care and support they show an external director. It’s a bit like being treated as a guest in your home, if that makes sense?
Is there anything you hope audiences take away from the production?
Ooh such a good question!! I hope they’ve been transported somewhere new. I hope more things feel possible…
Eurydice is at Jermyn Street Theatre, London, until 9 November