Krapp’s Last Tape – York Theatre Royal ★★★☆☆
You could view Krapp’s Last Tape as a star vehicle for the serious actor. At just 50 minutes long and…
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Manhunt review – Royal Court Theatre, London ★★☆☆☆
Until now Robert Icke’s output has largely been focused on updating classics for modern times — with great success, it…
Our New Girl review – Lyric Theatre, Belfast ★★★★☆
Review by Mark Quinn Our New Girl begins with a truly shocking image in the dark (that, of course, I won’t…
Descension review – FableMosh (Digital Release) ★★☆☆☆
Lora Krasteva’s Descension kicks off a series of works on the new interactive digital theatre platform FableMosh, developed by Nottingham-based…
Rhinoceros – Almeida Theatre, London ★★★★☆
Omar Elerian returns to the Almeida and to Eugène Ionesco, translating and directing Rhinocerous following his success with The Chairs…
Animal Farm review – Leeds Playhouse ★★★★☆
How many adaptations of George Orwell’s Animal Farm do you need? Last year saw Ian Wooldridge’s version tour Bolton, Hull…
Kim’s Convenience review – Leeds Playhouse ★★★☆☆
Kim’s Convenience has enjoyed a longer life than may have been predicted for it. Starting out at Toronto Fringe in…
Of Mice and Men review – Hull Truck ★★★★☆
Modern readers have been increasingly less forgiving of the sexist and racist slurs that reflect the period in the classic…
One Day When We Were Young review – Park Theatre, London ★★★★☆
Review by Katie Shaw One Day When We Were Young is a brilliant play in three parts about love, loss, hope…
The House Party review – Leeds Playhouse ★★★★☆
To say that Laura Lomas has recast Miss Julie for Gen Z is both accurate and reductive. This loose adaptation of August Strindberg’s 1888 classic play, directed by Headlong’s Artistic Director Holly Race Roughan, is an intelligent update centred on modern class, power and sexual politics.